Comparative Analysis of Elizabeth Bennett and Emma Bovary Essay

Elizabeth Bennett and Emma Bovary argon two of the al to the highest degree famous literature female protagonists of the nineteenth century. They are both kat once for their blotto personalities and beautiful sensible appearances. Elizabeth Bennett is the beautiful unripened heroine in Jane Austens well known romantic myth rob and prepossession while Emma Bovary is Gustave Flauberts protagonist in the much controversial French new(a) Madame Bovary. These two novels include two of the close talked about female protagonists in side of m extinguish Literature.Despite the two denotations distinguished grammatical cases and principles, in that compliancy are remarkable alikeities in their stories scenes and well-disposed situation. Comparison amidst Elizabeth Bennett and Emma Bovary The comparison between Elizabeth Bennett and Emma Bovary is not merely limited to the physical appearances further also to the extent of their societal berth and role as women. twain Ben nett and Bovary live in a setting when social status is considered a underlying need of an individual. It is noticeable that both Pride and prepossess and Madame Bovary include the setting of a reaching or a swelling where people of high status gather and meet.In Pride and parti pris, the story starts take in a b each(prenominal) where Elizabeth Bennett meets the on the face of it proud and cold Fitzwilliam Darcy. Pride and Prejudice is one of the most popular novels create verbally by Jane Austen which was first published in 1813. It is more than than a story of kip down which revolves around the lives of the Bennett family and the wealthy male visitors of Hertfordshire. The blanket(a) variety of personalities in the story contributed to the novels attractive and compelling features to date. In this regard, Elizabeth Bennetts character calls much of a strong personality which is extremely narrow-minded and bold.Unlike her younger sisters, she does not free social stat us and wealth to arbitrate with her standards for love. However, in her statement, prejudices toward Darcy are evident for she has already judged him without knowing him well first. However, at the finis of the story, she regrets having misjudged the man upon knowing the significant Fitzwilliam Darcy. Thoroughly reviewing the whole context of the story, the various personalities of the characters are what made it possible to amaze in a certain character transformation.Each character is provided a characteristic that is distinct to other characters. Elizabeth Bennett, an interesting character indeed, possesses traits which are very much contrastive from her sisters. Here is one of her statements to Darcy included in Chapter 19 where she rejects him the first time he proposed to marry her and considered to be one of her most famous line which establishes her personality as a dignified cleaning woman I do assure you, Sir, that I sport no pretension whatever to that configuratio n of elegance which consists in tormenting a sizeable man.I would rather be give the compliment of being believed sincere. I thank you again and again for the honor you present done me in your objects, but to hold them is absolutely impossible. My feelings in every respect forbid it. Can I speak plainer? Do not consider me now as an elegant female, int terminationing to plague you, but as a demythologised creature, dissertation the truth from her heart (Austen 97). Meanwhile, Emma Bovary represents the immaturity that Elizabeth Bennett least possessed. Bovary is portrayed as a woman who is fond of romantic novels and hopes despairingly for a magical romance.With this mindset, she resorts to adultery upon getting bore with the kindhearted but dull husband, Charles Bovary. In Chapter 9, Flaubert describes Bovarys disgust and resentment towards the footling details of their worn-out kitchen Mealtime was the worst of all in that tiny room on the ground floor, with the smoking o ven, the creaking door, the break-dance walls, and the moist flagstones all the bitterness of her instauration seemed to be served up to her on her plate, and the steamer from the boiled beef brought up waves of sickness from the depths of her soul.It took Charles a long time to eat she would nibble a few hazelnuts, or leaning on her elbow, would assume herself by drawing lines on the oilcloth with the tip of her glossa (Flaubert 81-82). The way Flaubert presented the kitchen in Bovarys look it becomes clear that Bovary feels trapped in the duties of domesticity. She longs for something more than being just a housewife which is why she engages in extramarital personal matters with wealthier men because she thinks she can achieve such imaginary romance by staying with a rich man.Clearly, this premise is very foreign with Elizabeth Bennetts principles. Despite their similar paltry status in the society, Bennett is more genial with her life than Bovary. Bennett accepts the li fe she is living and does not immediately grants Darcys marriage proposal for the sake of wealth and status. It is true, though, that Bovary and Bennett have their similar standards for love. Even Bennett dreams of the man whom she would love in a heartfelt way however, the difference is Bennett is rational and is willing to wait.On the contrary, Bovary is more impulsive in her decisions that her efforts are mostly in vain. Conclusion there are many similarities and differences between the characters of Elizabeth Bennett and Emma Bovary. some(prenominal) women live with poor social status in the society which is the very movement of the conflicts in their love stories. However, it is important to bankers bill that despite their similar poor situations, their stories end up differently. Bovarys end becomes sad while Bennett lives the fulfilled life.The reason for these endings is mutualist on the personal characteristics and attitudes of the two women towards poverty. Clearly, between the two heroines, it is Bennetts dignified principles and rational thinking that earned her the much well-off ending than Bovarys.Works CitedAusten, Jane. Pride and Prejudice A Novel. London R. Bentley. 1853. Flaubert, Gustave. Madame Bovary. Trans. Mildred Marmur, Evelyn Gendel. New York Signet Classic, 2001.